Shoushan Stone Culture refers to stone sculptures that reflect the social culture, thoughts and values ​​formed by Shoushan Stone as a material and by artist carving or artistic creation. The early stone carving materials mainly came from the pyrophyllite mine of Shoushan, so it was called Shoushan Stone Culture or Shoushan Stone Carving. The Shoushan Stone Culture flourished during the Qianlong period. For example, the stone carving triple chapter made of Tian Huang was exquisite and won the emperor's liking. Today, Shoushan stone carvings are included in the national intangible cultural heritage and are designed to inherit this skill. Nowadays, although the resources of Shoushan Stone in the original place are exhausted, the mineral resources of Shoushan Stone, which is also the main mineral aggregate of Dikai Stone or Pyrophyllite, is Shoushan Stone. It has been discovered inside and outside the province and at home and abroad, which is enough to meet the needs of the development of Shoushan Stone Carving Culture Industry. Some people in the industry believe that Shoushan Stone Culture refers to Shoushan Stone itself, which is inconsistent with the concept of Shoushan Stone Carving (actual skill) that has been included in the National Intangible Cultural Heritage Catalogue. If Shoushan Stone itself has culture, it is a part of all jade culture in China. It is the need to satisfy people's beliefs. It is totally different from the values ​​reflected in stone carving works. The country's economic transformation, the price of materials being speculated to return to rationality, the influx of materials outside the country of origin, the country's encouragement of cultural industry development and planning, the Belt and Road, etc., have brought unprecedented opportunities for the development of the Shoushan Stone culture industry.
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